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HOW TO START AN ONLINE BUSINESS WITH A $0 BUDGET
Can you start an online business with a $0 budget? Yes! I am living proof of this! Many people I've told this have understandably not believed it or were skeptical and don't get me wrong... I'm not saying that this is an IDEAL way to start a...
Rx FOR FALLING CORPORATE PROFITS
"Corporate Profits Fell 43% in 1st Quarter" proclaimed the 15 May 2001, Wall Street Journal headline. The article went on to say that: "The nation's (1700) largest corporations posted one of the worst profit performances in at least 10 years in...
The missing link to your business success
The missing link to your business success The art of making money, and make no mistake about it, it is an art, is synonymous with problem solving. Consider this scenario: Bob is presented with a great opportunity. He hears the testimonials of...
The Work-At-Home Dream: Telecommuting vs. the Home Based Business
Working from home isn't just a passing fad; it's a growing trend that gets stronger each year. Unfortunately, many people only have a vague notion of "working at home"; they've been flooded with "get rich quick" and "be your own boss!" ads and just...
What Sort of Training is Most Effective?
Organisations are turning more and more to external training
companies to develop the 'soft' skills of their staff. With so
much expertise available what do people need to look for to get
the best from the training they buy in?
At Impact...
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Dealing with A Bad Client
A client with a creative business called me one day and asked the following question. It's a question I get asked frequently, so rather than write an entire article, I decided just to tell you exactly what I told her.
Q: Kirstin --
Do you have a graceful exit strategy for those situations when you are face-to- face and realize that, for whatever reason, you do NOT want to work with this prospect? Let's say, for example, that you qualified the prospect and then when you meet, you discover that you don't have good chemistry, or you sense a red flag.
-- Margery, Phoenix MD
A: Margery --
Great question. Once you realize they aren't a good match, simply tell them that you don't think you are the perfect consultant/coach/etc. for their specific needs and recommend them to one or two other people whom you think they would jibe with better.
This lets you out of the relationship, without burning bridges. In fact, I've done this and gotten referrals from the client whom I referred to others. Generally, people are so
impressed that you don't take them on under the wrong circumstances that they think even more highly of you.
This another reason you have to know who your competitors are and keep a few of them around to refer to. Of course, referring them to a competent company is definitely a good thing.
It is much better to refer the client to someone more appropriate, then try to work with the client.
-- Kirstin
About The Author
Kirstin Carey is the author of "Starving Artist No More: Hearty Business Strategies for Creative Folks." Kirstin knows how much most creative people hate sales, contracts, and discussing money and she consults creative people on the business side of creativity so they make more money, get better clients, and still love what they do. She put together a resource full of proven strategies and insider secrets guaranteed to help creative types get the business help they need so they don't have to starve anymore! Go to www.MyCreativeBiz.com.
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| Creativity - Wikipedia, the free encyclopedia |
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| en.wikipedia.org |
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| AdCritic.com: Commercial Ads |
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| National Curriculum in Action - Creativity - |
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| Ten Steps for Boosting Your Creativity |
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| Crayola Creativity Central |
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| Creativity Web - Resources for Creativity and Innovation |
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| members.optusnet.com.au |
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| gapingvoid: "cartoons drawn on the back of business cards": how to ... |
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| www.gapingvoid.com |
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| Ideas by Creativity Pool |
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| The 6 Myths Of Creativity |
| A new study will change how you generate ideas and decide who's really creative in your company. |
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| CreativeClass.org |
| Richard Florida's "The Rise of the Creative Class" examines creativity and its effects on economic development. |
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| TIP: Concepts |
| The relationship between creativity and intelligence has been always been a central concern of psychology ( Guilford , 1950). Much effort has been devoted ... |
| tip.psychology.org |
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| American Creativity Association (ACA) |
| An incorporated non-profit organization promoting personal and professional creativity. Association membership is represented by four multidisciplinary ... |
| www.amcreativityassoc.org |
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| CREAX - Portal for creativity and innovation |
| A resource for links on creativity and innovation on the web. A selection of 690 links is divided into 67 categories for the visitors convenience. |
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